Showing Emotion


I find so many helpful writing tips on Pinterest, and showing emotion through dialogue hasn’t come as naturally to me as I thought it would as far as what the character is doing while either speaking or listening to whoever is in the scene with them. However, this post from The Writer’s Handbook Tumblr blog,  who shared it from  One Stop For Writer’s Pinterest board explains the way to show important emotions that for some reason haven’t come easy to me.

Emotions such showing interest or disinterest in a character, showing nervousness, frustration or anger, (such as trembling or clenching their fists), sadness, etc. While I’m reading a good book for the first time, the plot itself holds my attention, which is exactly what our books should do for readers. When the writing is so well done that I barely pay attention to the grammar and writing style of the author the first time I read it, that is a story that I will read again from my writer’s mind.



The First Five Pages

I have been reading and editing the first chapter of my novel, The Enchanted Locket, and have gone back to reading my how-to books. I learned some great tips about hooks from Noah Lukeman’s book: The First Five Pages, A Writer’s Guide to Staying Out of the Rejection Pile.

The concept known as a hook is an interesting and powerful first sentence or paragraph that you feel you must keep reading. The hook can establish a setting, character, narrator, or convey a shocking piece of information. The first line is not much space to work with, so you must be very creative. The hook’s purpose is to set the tone for the story. If the hook is intense, then it will be difficult to maintain that intensity throughout the entire book.

The beginning of the novel isn’t the only good place for a hook. Ending your chapter with such robust writing that the reader is eager to find out what happens next. The hook propelled them to read the following chapter.

Lukeman advises us to “think of hooks in a completely new way: not just to be used as openings and closings of chapters but also as openings and closings of line breaks, of paragraphs and ultimately even of sentences.” In other words, pretending that the paragraph that we are working on at any given moment, no matter where it occurs in the book, is the opening of your novel, and the end of each paragraph is your book’s finale.

This was a huge eye opener for me, to realize how working on hooks will influence the entire book. I certainly have my work cut out for me with all of these hooks!